Mirela Kulović's drawings and paintings have been the subject of numerous solo and group exhibitions, and are held in several international collections. Her work has been featured in art publications, and her collaborative projects have earned global recognition.

Selected exhibitions:

Fragments at Bromfield Gallery

National Prize Show at Kathryn Schultz Gallery

Fay Chandler Emerging Art Exhibition at the Boston City Hall

Mirela Kulović is a multidisciplinary artist whose practice unfolds across multiple geographies and disciplines. Her work spans drawing, painting, film, sculpture, and, more recently, text-based and participatory art. Grounded in long-term processes, material experimentation, and relational engagement, her practice foregrounds making as an ongoing, embodied form of inquiry.

Kulović holds a master's degree in industrial engineering from the University of Split, a background that continues to inform her approach to structure, process, and systems. Her artistic education has developed through fieldwork, sustained studio experimentation, and coursework at the School of the Museum of Fine Arts at Tufts University and Massachusetts College of Art and Design. Her work has been featured in Studio Visit Magazine (U.S.), Antennae: The Journal of Nature in Visual Culture (U.K.), and Boston Art Review, and has received institutional recognition from organizations including the Somerville Arts Council and the Cambridge Art Association. She was also a finalist for the Walter Feldman Fellowship for Emerging Visual Artists in New England, hosted by the Arts & Business Council of Greater Boston.

Alongside her studio practice, Kulović supports arts organizations, community engagement, and cross-disciplinary collaboration beyond traditional institutional frameworks. She has donated artwork to benefit fundraising initiatives and has developed exhibitions and projects that contribute to public programming.

Kulović regularly participates in international discussions on art, culture, and migration and has lectured at high schools, universities, and other public forums. Her engagement with global narratives of displacement extends to film, where she served as artistic director for Memories, produced by Paradoxx Films in New York. She is also co-author of Playground, a collaborative manual published by Transnational Press London. Her most recent project, Visual Knowledge, explores the relationship between perception and knowledge.